
![]()
Shows from the past
Archived shows
Rebellion and Spectacle - as part of MAFIAfest on: 11 Nov 2007
New Media Art Subsidies and Alternative Support Models on: 17 Oct 2007
Death of the Mediator. Web 2.0, Prosumers, and Which Quality? [as part of OneOnOne festival] on: 6 Oct 2007
Creative Resistance, New Media as Soft Arms on: 14 Sep 2007
Brutal Realities : Art, Subjectivity and THE NEWS on: 27 Jun 2007
New Media Art Mythologies. on: 5 Jun 2007
Radio 2.0. on: 2 May 2007
archived show:
![]()
speaker & questions
A. Andreas, The Brahamian Intelligence Service
+60 (860)
How to avoid life itself becoming an immaterial product? 45 (367)
If you want to resist the commodification of the immaterial, how then do you propose to re-materialise life itself? 6 (42)
Can we dissociate the material and immaterial realities of our being-in-the world within the nowadays paradigm of informational society? -3 (65)
Casting International
0 (776)
What is in your view essential differences between artists' reporting of reality and that one of other media? -2 (40)
Why did you choose Casting International as a name? What does it mean? -3 (43)
Do you consider your art subversive? -9 (65)
Peter Luining
+2 (594)
In your experience as a net artist, how does art on the internet become more for you than an immaterial product? 8 (46)
What aesthetic quality would you like to add to the internet as an artist? 6 (38)
Do you consider your art subversive? -9 (65)
comments
Art works based on hacks of existing games present a problem for institutions. They could get problems when buying or even presenting this work. This work therefore is largely un-saleable. How do you feel about this? by: jesis 5 (8)
for luining: in formulas you use 'randomness' by just typing in formulas and code. are we perhaps unable to think outside of existing programs when we use reason and calculation? by: Twan 3 (4)
Andreas: is a gfit economy an alternative for the problem of the problem that everything is on sale now? by: epk 3 (6)
Should creative resistance attack existing structures or is content-production using existing programs and online-tools an option to vary the mainstream culture of use of new media? by: Felipe 3 (4)
for a. andreas: to be godlike in loving life intentsity driven
\ by: 0d0a 2 (3)
about the enforcer: what is the importance, to you, of linguistic aspects of new media, such as domain names which are linguistic smokescreens for protocol? is this an artist response to the commercializing of linguistics? by: Twan 2 (5)
D you keep stats of how often the audience interacts with your work? Is it important to you that many people interact with your work? by: jesis 2 (5)
Could you tell us a little bit more about that web magazine Nictoglobe? How did it start in 1986? by: jesis 1 (4)
question for casting international: quote: 'creation is nothing else then love' . bring on the love through everything you make on the net! do you believe you succeed in that? and how?
by: kaisha 1 (6)
Browse
Reports
about events
see reportsProjects
to be pitched and evaluated
see and evaluate projectsReviews
of projects and events
see and evaluate reviewsPeople
and their profiles
see profiles