Shows from the past


archived show:


Creative Resistance, New Media as Soft Arms

comments

Art works based on hacks of existing games present a problem for institutions. They could get problems when buying or even presenting this work. This work therefore is largely un-saleable. How do you feel about this? by: jesis 5 (8)
for luining: in formulas you use 'randomness' by just typing in formulas and code. are we perhaps unable to think outside of existing programs when we use reason and calculation? by: Twan 3 (4)
Andreas: is a gfit economy an alternative for the problem of the problem that everything is on sale now? by: epk 3 (6)
Should creative resistance attack existing structures or is content-production using existing programs and online-tools an option to vary the mainstream culture of use of new media? by: Felipe 3 (4)
for a. andreas: to be godlike in loving life intentsity driven \ by: 0d0a 2 (3)
about the enforcer: what is the importance, to you, of linguistic aspects of new media, such as domain names which are linguistic smokescreens for protocol? is this an artist response to the commercializing of linguistics? by: Twan 2 (5)
D you keep stats of how often the audience interacts with your work? Is it important to you that many people interact with your work? by: jesis 2 (5)
Could you tell us a little bit more about that web magazine Nictoglobe? How did it start in 1986? by: jesis 1 (4)
question for casting international: quote: 'creation is nothing else then love' . bring on the love through everything you make on the net! do you believe you succeed in that? and how? by: kaisha 1 (6)













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Creative Commons License 2007 Cool Media Hot Talk Show, De Balie, Amsterdam